{"id":4130,"date":"2023-07-14T16:12:10","date_gmt":"2023-07-14T15:12:10","guid":{"rendered":"https:\/\/forestrowfilmsociety.org\/news\/?page_id=4130"},"modified":"2023-07-14T16:12:10","modified_gmt":"2023-07-14T15:12:10","slug":"les-miserables","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/les-miserables\/","title":{"rendered":"Les Mis\u00e9rables"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" loading=\"lazy\" width=\"450\" height=\"188\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/07-miserables-450x188.jpg\" alt=\"Still from Les Mis\u00e9rables\" class=\"wp-image-4105\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/07-miserables-450x188.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/07-miserables-1024x427.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/07-miserables.jpg 1200w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n      <div id=\"eventPage\">\n         <em>No events to show<\/em>\n         <p>Director: Ladj Ly, France 2019, 104 mins, 15<\/p>\n         <blockquote>\n            <div>&quot;<i>Les Mis\u00e9rables<\/i> is not merely named after Victor Hugo\u2019s celebrated novel, it shares its setting and succeeds splendidly in a mutual goal&quot; <i>Los Angeles Times<\/i><br \/><\/div>\n         <\/blockquote>\n         <p>Three police officers searching for a stolen lion cub set light to a tinderbox of tensions in the Paris suburb of Montfermeil. Director Ladj Ly grew up and still lives in Montfermeil, and he knows intimately its underclass of French society for which little has changed since Victor Hugo used the same location in 1862. Expect moments of brutality, racism, and humour, with very subtly nuanced characterisations. This insightful Oscar-nominated film grabs your attention from the start and builds to an unforgettable climax.<br \/><\/p>\n         <blockquote>\n            <div>&quot;Occasionally recalling the more urgent, ragged work of Spike Lee in its feverish, on-the-ground formal energy, <i>Les Mis\u00e9rables<\/i> is aptly galling as a study of everyday power structures tested and exploited to breaking point&quot; <i>Variety<\/i><br \/><\/div>\n         <\/blockquote>\n         <h4>Further reading<\/h4>\n         <ol>\n            <li><a href=\"https:\/\/www.empireonline.com\/movies\/reviews\/les-miserables-2020\/\" target=\"_blank\" rel=\"noopener\">Empire<\/a><\/li>\n            <li><a href=\"https:\/\/www.theguardian.com\/film\/2020\/sep\/06\/les-miserables-review-ladj-ly-paris-riot-film-cesar\" target=\"_blank\" rel=\"noopener\">The Observer<\/a><\/li>\n            <li><a href=\"https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/les-miserables-ladj-ly-paris-banlieu-drama\" target=\"_blank\" rel=\"noopener\">Sight and Sound<\/a><\/li>\n            <li><a href=\"https:\/\/www.bfi.org.uk\/sight-and-sound\/interviews\/ladj-ly-les-miserables-film-tool-change\" target=\"_blank\" rel=\"noopener\">Interview with the director<\/a><\/li>\n            <li><a href=\"https:\/\/www.indiewire.com\/features\/general\/les-miserables-review-cannes-2019-1202141330\/\" target=\"_blank\" rel=\"noopener\">Indiewire<\/a><\/li>\n         <\/ol>\n         <h4>Trailer<\/h4><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/r1kVRhhoLCg?rel=0\"><\/iframe><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Director: Ladj Ly, France 2019, 104 mins, 15 &quot;Les Mis\u00e9rables is not merely named after Victor Hugo\u2019s celebrated novel, it shares its setting and succeeds&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4105,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/4130"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=4130"}],"version-history":[{"count":1,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/4130\/revisions"}],"predecessor-version":[{"id":4131,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/4130\/revisions\/4131"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/4105"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=4130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}