{"id":4119,"date":"2023-07-14T15:58:40","date_gmt":"2023-07-14T14:58:40","guid":{"rendered":"https:\/\/forestrowfilmsociety.org\/news\/?page_id=4119"},"modified":"2023-07-14T16:03:16","modified_gmt":"2023-07-14T15:03:16","slug":"the-conversation","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-conversation\/","title":{"rendered":"The Conversation"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" loading=\"lazy\" width=\"450\" height=\"253\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/03-the-conversation-450x253.jpg\" alt=\"Still from The Conversation\" class=\"wp-image-4101\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/03-the-conversation-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2023\/07\/03-the-conversation.jpg 681w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n      <div id=\"eventPage\">\n         <em>No events to show<\/em>\n         <p>Director: Francis Ford Coppola, USA 1974, 114 mins, 12<\/p>\n         <blockquote>\n            <div>&quot;As a thriller alone, <i>The Conversation<\/i> would be worth our attention. But as a thriller which also expresses our actual and collective nightmares, it absolutely demands it&quot; <i>Wall Street Journal<\/i><br \/><\/div>\n         <\/blockquote>\n         <p>Gene Hackman as Harry Caul, a paranoid and secretive surveillance expert hears something disturbing in the recordings of a young couple he is spying on. As the film progresses he is tormented by memories of a previous case, and becomes more and more convinced that a murder might happen and faces a moral dilemma.<br \/><\/p>\n         <blockquote>\n            <div>&quot;the heart of <i>The Conversation<\/i>\u2019s appeal, then and now, is the way it combines an exceptional character study, a thriller plot and an ability to superbly convey the unease of a society where blanket surveillance is getting to be the norm&quot; <i>Los Angeles Times<\/i><br \/><\/div>\n         <\/blockquote>\n         <h4>Further reading<\/h4>\n         <ol>\n            <li><a href=\"https:\/\/www.theguardian.com\/film\/2010\/oct\/17\/conversation-crime\" target=\"_blank\" rel=\"noopener\">The Guardian<\/a><\/li>\n            <li><a href=\"https:\/\/www.latimes.com\/entertainment-arts\/movies\/story\/2022-01-27\/review-conversation-gene-hackman-francis-ford-coppola\" target=\"_blank\" rel=\"noopener\">Los Angeles Times<\/a><\/li>\n            <li><a href=\"https:\/\/www.rogerebert.com\/reviews\/the-conversation-1974\" target=\"_blank\" rel=\"noopener\">Roger Ebert<\/a><\/li>\n            <li><a href=\"https:\/\/www.slantmagazine.com\/dvd\/the-conversation\/\" target=\"_blank\" rel=\"noopener\">Slant<\/a><\/li>\n            <li><a href=\"http:\/\/www.sensesofcinema.com\/2001\/70s-us-cinema\/conversation\/\" target=\"_blank\" rel=\"noopener\">Senses of Cinema<\/a><\/li>\n         <\/ol>\n         <h4>Trailer<\/h4><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/VD_CAJHIIQE?rel=0\"><\/iframe><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Director: Francis Ford Coppola, USA 1974, 114 mins, 12 &quot;As a thriller alone, The Conversation would be worth our attention. But as a thriller which&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4101,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/4119"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=4119"}],"version-history":[{"count":1,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/4119\/revisions"}],"predecessor-version":[{"id":4120,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/4119\/revisions\/4120"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/4101"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=4119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}