{"id":3906,"date":"2019-07-16T06:20:16","date_gmt":"2019-07-16T05:20:16","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3906"},"modified":"2023-09-23T13:45:59","modified_gmt":"2023-09-23T12:45:59","slug":"the-beaches-of-agnes","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-beaches-of-agnes\/","title":{"rendered":"The Beaches of Agn\u00e8s"},"content":{"rendered":"<div><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2019\/07\/18-beachesofagnes01-640x394.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3907\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2019\/07\/18-beachesofagnes01-640x394-450x277.jpg\" alt=\"Still from The Beaches of Agn\u00e8s\" width=\"450\" height=\"277\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2019\/07\/18-beachesofagnes01-640x394-450x277.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2019\/07\/18-beachesofagnes01-640x394.jpg 640w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/div>\n<div id=\"eventPage\"><!--<h2><\/h2>--><p class=\"archiveTitle\">Saturday, 14 March 2020: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/the-beaches-of-agnes\/\" target=\"_self\">The Beaches of Agn\u00e8s<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Saturday, 14 March 2020, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Agn\u00e8s Varda, France 2008, 110 mins, 18<\/p>\n<blockquote>\n<div>&#8220;her greatest triumph is her life itself&#8221; RogerEbert.com<\/div>\n<\/blockquote>\n<p>With impish charm and empathy, nearing 80, Agn\u00e8s Varda explores her memories of Belgium, S\u00e8te, Paris, and Noirmoutier, using photographs, film clips, home movies and interviews with various people, her family and the famous to capture poignant emotions or an indelible frame and to explore what endures from a life of reflections and reminiscence.<\/p>\n<blockquote>\n<div>&#8220;Varda loves the potency of the single photographic image, and the juxtaposition of that image, frozen from the past, with the uncertain, unstable present in which it is now being viewed.&#8221; Peter Bradshaw, <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li><a href=\"https:\/\/www.rogerebert.com\/reviews\/the-beaches-of-agnes\" target=\"_blank\" rel=\"noopener noreferrer\">Roger Ebert<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2009\/oct\/01\/beaches-of-agnes-review\" target=\"_blank\" rel=\"noopener noreferrer\">The Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.slantmagazine.com\/film\/the-beaches-of-agnes\/\" target=\"_blank\" rel=\"noopener noreferrer\">Slant Magazine<\/a><\/li>\n<li><a href=\"http:\/\/ttps:\/\/www.newyorker.com\/goings-on-about-town\/movies\/a-bigger-splash-2\" target=\"_blank\" rel=\"noopener noreferrer\">The New Yorker<\/a><\/li>\n<li><a href=\"https:\/\/www.sfgate.com\/movies\/article\/Review-Filmmaker-celebrates-herself-3212417.php\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Chronicle<\/a><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/me3OgoNQseU?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Agn\u00e8s Varda, France 2008, 110 mins, 18 &#8220;her greatest triumph is her life itself&#8221; RogerEbert.com With impish charm and empathy, nearing 80, Agn\u00e8s Varda&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3906"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3906"}],"version-history":[{"count":2,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3906\/revisions"}],"predecessor-version":[{"id":4179,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3906\/revisions\/4179"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}