{"id":3703,"date":"2018-07-02T21:41:01","date_gmt":"2018-07-02T20:41:01","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3703"},"modified":"2019-05-04T06:50:43","modified_gmt":"2019-05-04T05:50:43","slug":"the-breadwinner","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-breadwinner\/","title":{"rendered":"The Breadwinner"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/18-the-breadwinner.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3704\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/18-the-breadwinner-400x300.jpg\" alt=\"Still from The Breadwinner\" width=\"400\" height=\"300\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/18-the-breadwinner-400x300.jpg 400w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/18-the-breadwinner-1024x768.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/18-the-breadwinner.jpg 2048w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><br \/>\n<em>No events to show<\/em><\/p>\n<p>Director: Nora Twomey, Ireland\/Canada\/Luxembourg 2017, 94 mins, 12A<\/p>\n<blockquote>\n<div>\u201cAlong with the eerie beauty of the animation there is a salving streak of humour that softens this tale\u2019s sharper edges, reminding us that &#8211; for children &#8211; laughter and bravery walk hand in hand.\u201d Mark Kermode, <i>The Observer<\/i><\/div>\n<\/blockquote>\n<p>Parvana is an eleven year old girl living with her family under Taliban rule in Afghanistan. After her father is arrested, the women are left without a male to accompany them outside their house and so Parvana cuts her hair, dresses like a boy and begins a new life as she sets out to free her father.<\/p>\n<blockquote>\n<div>\u201cIt directly confronts the misogyny and chauvinism of contemporary Afghanistan, while powerfully suggesting that storytelling is both a means of coping and a solution for change.\u201d <i>Variety<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li><a href=\"https:\/\/www.timeout.com\/london\/film\/the-breadwinner\">Time Out<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2018\/may\/27\/the-breadwinner-review-nora-twomey-deborah-ellis-kabul\">The Observer<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2018\/may\/27\/the-breadwinner-review-nora-twomey-deborah-ellis-kabul?CMP=Share_iOSApp_Other\" target=\"_blank\" rel=\"noopener noreferrer\">The Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.empireonline.com\/movies\/breadwinner\/review\/\">Empire<\/a><\/li>\n<li><a href=\"https:\/\/www.irishtimes.com\/culture\/film\/angelina-jolie-the-breadwinner-and-me-by-nora-twomey-1.3494812\" target=\"_blank\" rel=\"noopener noreferrer\">Nora Twomey Interview, Irish Times<\/a><\/li>\n<li><a href=\"https:\/\/www.bbc.co.uk\/programmes\/b0b3fkqk\" target=\"_blank\" rel=\"noopener noreferrer\">The Film Programme, Radio 4<\/a><\/li>\n<li><a href=\"https:\/\/www.telegraph.co.uk\/films\/0\/breadwinner-review-fantasy-reality-collide-visionary-look-life\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Telegraph<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/11\/16\/movies\/the-breadwinner-review.html\">New York Times<\/a><\/li>\n<li><a href=\"https:\/\/variety.com\/2017\/film\/reviews\/the-breadwinner-review-1202606241\/\">Variety<\/a><\/li>\n<li><a href=\"https:\/\/www.eyeforfilm.co.uk\/review\/the-breadwinner-2017-film-review-by-jennie-kermode\">Eye for Film<\/a><\/li>\n<li><a href=\"http:\/\/filmireland.net\/2018\/05\/25\/irish-film-review-the-breadwinner-2\/\">Film Ireland<\/a><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/9G6yZZguI04?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Nora Twomey, Ireland\/Canada\/Luxembourg 2017, 94 mins, 12A \u201cAlong with the eerie beauty of the animation there is a salving streak of humour that softens&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3704,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3703"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3703"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3703\/revisions"}],"predecessor-version":[{"id":3844,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3703\/revisions\/3844"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3704"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}