{"id":3695,"date":"2018-07-02T21:37:12","date_gmt":"2018-07-02T20:37:12","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3695"},"modified":"2019-04-13T09:36:39","modified_gmt":"2019-04-13T08:36:39","slug":"happy-end","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/happy-end\/","title":{"rendered":"Happy End"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/16-Happy-End.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3696\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/16-Happy-End-450x252.jpg\" alt=\"Still from Happy End\" width=\"450\" height=\"252\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/16-Happy-End-450x252.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/16-Happy-End-1024x574.jpg 1024w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 12 April 2019: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/happy-end\/\" target=\"_self\">Happy End<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 12 April 2019, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Michael Haneke, France \/ Austria \/ Germany 2017, 107 mins, 15<\/p>\n<blockquote>\n<div>\u201c<i>Happy End<\/i> is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as a halogen light. &#8230; It is also as gripping as a satanically inspired soap opera, a dynasty of lost souls.\u201d Peter Bradshaw, <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<p>When her mother goes into a coma caused by a drug overdose, twelve year old Eve moves in with her father, his new wife and baby. They share a palatial bourgeois house with her aunt Anne (Isabelle Huppert) and grandfather George. Through a series of bizarre and sometimes surreal episodes the dysfunctional life of this extended family gradually emerges as the film unfolds.<\/p>\n<blockquote>\n<div>\u201cAs with so many portraits of family dysfunction there is a sense of unease here, one that Haneke amplifies brilliantly. It is a collection of disquieting fragments, discordant snapshots that create a mood of unsettling menace, of impending catastrophe.\u201d <i>The Big Issue<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li><a href=\"https:\/\/www.timeout.com\/london\/film\/happy-end-2\">Time Out<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2017\/may\/21\/happy-end-review-michael-haneke-isabelle-huppert-cannes-2017?CMP=Share_iOSApp_Other\" target=\"_blank\" rel=\"noopener noreferrer\">The Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.telegraph.co.uk\/films\/0\/happy-end-review-even-sia-numbermichael-hanekeslatest-social\/\">The Telegraph<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2017\/dec\/03\/happy-end-review-beautifully-bleak-gallows-humour-michael-haneke\">The Observer<\/a><\/li>\n<li><a href=\"https:\/\/www.rogerebert.com\/reviews\/happy-end-2017\" target=\"_blank\" rel=\"noopener noreferrer\">RogerEbert.com<\/a><\/li>\n<li><a href=\"https:\/\/www.empireonline.com\/movies\/happy-end\/review\/\">Empire<\/a><\/li>\n<li><a href=\"https:\/\/www.slantmagazine.com\/features\/article\/interview-michael-haneke-on-happy-end-and-his-reputation\" target=\"_blank\" rel=\"noopener noreferrer\">Interview with Michael Haneke<\/a><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cZ1ajZRn8YM?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Michael Haneke, France \/ Austria \/ Germany 2017, 107 mins, 15 \u201cHappy End is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3696,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3695"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3695"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3695\/revisions"}],"predecessor-version":[{"id":3837,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3695\/revisions\/3837"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3696"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}