{"id":3687,"date":"2018-07-02T21:32:47","date_gmt":"2018-07-02T20:32:47","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3687"},"modified":"2019-03-16T07:23:13","modified_gmt":"2019-03-16T06:23:13","slug":"the-double","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-double\/","title":{"rendered":"The Double"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/14-double.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3688\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/14-double-450x253.jpg\" alt=\"Still from The Double\" width=\"450\" height=\"253\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/14-double-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/14-double.jpg 640w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 15 March 2019: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/the-double\/\" target=\"_self\">The Double<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 15 March 2019, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Richard Ayoade, UK 2014, 90 mins, 15<\/p>\n<blockquote>\n<div>\u201cbrilliant, quick-witted\u201d Peter Bradshaw, <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<p>A satirical adaptation of the novella by Dostoyevsky. Hopeless Simon (Jesse Eisenberg) is a meek and downtrodden office clerk with everything against him. He is, however, shocked when his firm hires James (also Eisenberg), his shamelessly confident double who is his exact physical double but in every other way quite the opposite from him. With clever movingly funny scenes this is a tight study of self identity.<\/p>\n<blockquote>\n<div>\u201cIt might be just the best thing we&#8217;ll see all week.\u201d Toronto Film Festival<\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"https:\/\/www.empireonline.com\/movies\/double\/review\/\" target=\"_blank\" rel=\"noopener noreferrer\">Empire<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2014\/apr\/03\/the-double-review-richard-ayoade\" target=\"_blank\" rel=\"noopener noreferrer\">The Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2014\/apr\/06\/the-double-review-richard-ayoade-jesse-eisenberg\" target=\"_blank\" rel=\"noopener noreferrer\">The Observer<\/a><\/li>\n<li><a href=\"https:\/\/www.rogerebert.com\/reviews\/the-double-2014\" target=\"_blank\" rel=\"noopener noreferrer\">RogerEbert.com<\/a><\/li>\n<li><a href=\"https:\/\/www.filmcomment.com\/blog\/review-the-double-richard-ayoade\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Comment<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JsHvETtPq84?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Richard Ayoade, UK 2014, 90 mins, 15 \u201cbrilliant, quick-witted\u201d Peter Bradshaw, The Guardian A satirical adaptation of the novella by Dostoyevsky. Hopeless Simon (Jesse&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3688,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3687"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3687"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3687\/revisions"}],"predecessor-version":[{"id":3825,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3687\/revisions\/3825"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3688"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}