{"id":3666,"date":"2018-07-02T20:56:16","date_gmt":"2018-07-02T19:56:16","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3666"},"modified":"2019-01-05T09:08:48","modified_gmt":"2019-01-05T08:08:48","slug":"in-the-fade","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/in-the-fade\/","title":{"rendered":"In the Fade"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/09-In_the_Fade.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3667\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/09-In_the_Fade-400x300.jpg\" alt=\"Still from In the Fade\" width=\"400\" height=\"300\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/09-In_the_Fade-400x300.jpg 400w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/09-In_the_Fade.jpg 630w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 04 January 2019: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/in-the-fade\/\" target=\"_self\">In the Fade<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 04 January 2019, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Fatih Akin, Germany\/France 2017, 106 mins, 18<\/p>\n<blockquote>\n<div>\u201cKruger shows us the depth of the mother\u2019s grief as well as her rage, incomprehension and refusal to be consoled.\u201d <i>Independent<\/i><\/div>\n<\/blockquote>\n<p>A gripping thriller about terrorism, grief and retaliation. Katja\u2019s world collapses when her husband and son are killed in a bomb attack. Two Neo-Nazi suspects get identified and the eventual trial pushes Katja to the edge. Justice, she is now convinced, arises from nowhere but from her own actions\u2026<\/p>\n<blockquote>\n<div>\u201cAkin makes passionate films that address difficult questions&#8230; Given Kruger\u2019s remarkable performance, Akin&#8217;s determination as a director and the movie\u2019s excellent production values, <i>In the Fade<\/i> is not to be missed, no matter how difficult its subject matter.\u201d <i>Film Journal International<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li><a href=\"https:\/\/www.eyeforfilm.co.uk\/review\/in-the-fade-2017-film-review-by-amber-wilkinson\" target=\"_blank\" rel=\"noopener\">Eye for Film<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/12\/26\/movies\/in-the-fade-review-diane-kruger.html\" target=\"_blank\" rel=\"noopener\">New York Times<\/a><\/li>\n<li><a href=\"http:\/\/www.dw.com\/en\/neo-nazism-what-is-germanys-nsu-terror-trial\/a-39777036\" target=\"_blank\" rel=\"noopener\">Deutsche Welle<\/a><\/li>\n<li><a href=\"https:\/\/www.telegraph.co.uk\/films\/0\/fade-reviewdiane-kruger-riveting-blood-boiling-revenge-thriller\/\">The Telegraph<\/a><\/li>\n<li><a href=\"https:\/\/www.empireonline.com\/movies\/fade\/review\/\">Empire<\/a><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UyjnzhXJlHU?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Fatih Akin, Germany\/France 2017, 106 mins, 18 \u201cKruger shows us the depth of the mother\u2019s grief as well as her rage, incomprehension and refusal&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3667,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3666"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3666"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3666\/revisions"}],"predecessor-version":[{"id":3797,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3666\/revisions\/3797"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3667"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}