{"id":3654,"date":"2018-07-02T20:49:15","date_gmt":"2018-07-02T19:49:15","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3654"},"modified":"2018-12-01T08:47:50","modified_gmt":"2018-12-01T07:47:50","slug":"journeys-end","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/journeys-end\/","title":{"rendered":"Journey&#8217;s End"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/06-journeys-end-main.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3655\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/06-journeys-end-main-450x253.jpg\" alt=\"Still from Journey's End\" width=\"450\" height=\"253\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/06-journeys-end-main-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/06-journeys-end-main.jpg 685w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 16 November 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/journeys-end\/\" target=\"_self\">Journey&#039;s End<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 16 November 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Saul Dibb, UK 2018, 105 mins, 12A<\/p>\n<blockquote>\n<div>\u201cThe first world war is one of the 20th century\u2019s oldest, grimmest tales of futility and slaughter. Dibb and his excellent cast put new passion into it.\u201d Peter Bradshaw, <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<p>Based on a 1928 play by R.C. Sherriff, this tight First World War drama takes places almost entirely in a trench on the Western Front over the course of a few days in 1918. Second Lieutenant Raleigh is a young officer who has just finished his training, and joins a company of men struggling to cope with the trauma and pointlessness of the war.<\/p>\n<blockquote>\n<div>\u201cPaul Bettany is impeccable in a heartbreakingly poignant drama set in the WWI trenches.\u201d <i>Time Out<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"https:\/\/www.timeout.com\/london\/film\/journeys-end-1\" target=\"_blank\" rel=\"noopener\">Time Out<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2018\/feb\/01\/journeys-end-review-sam-claflin-asa-butterfield-paul-bettany-first-world-war\" target=\"_blank\" rel=\"noopener\">The Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.telegraph.co.uk\/films\/0\/journeys-end-review-wonderfully-acted-first-world-war-drama\/\" target=\"_blank\" rel=\"noopener\">The Telegraph<\/a><\/li>\n<li><a href=\"https:\/\/www.empireonline.com\/movies\/journey-end\/review\/\" target=\"_blank\" rel=\"noopener\">Empire<\/a><\/li>\n<li><a href=\"https:\/\/www.villagevoice.com\/2018\/03\/14\/the-claustrophobic-journeys-end-looks-at-soldiers-preparing-for-battle\/\" target=\"_blank\" rel=\"noopener\">Village Voice<\/a><\/li>\n<li><a href=\"https:\/\/variety.com\/2017\/film\/reviews\/journeys-end-review-1202560396\/\">Variety<\/a><\/li>\n<li><a href=\"https:\/\/www.slantmagazine.com\/film\/review\/journeys-end\">Slant magazine<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/TkDTlxBOBtM?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Director: Saul Dibb, UK 2018, 105 mins, 12A \u201cThe first world war is one of the 20th century\u2019s oldest, grimmest tales of futility and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3655,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3654"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3654"}],"version-history":[{"count":4,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3654\/revisions"}],"predecessor-version":[{"id":3657,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3654\/revisions\/3657"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3655"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}