{"id":3640,"date":"2018-07-02T20:31:52","date_gmt":"2018-07-02T19:31:52","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3640"},"modified":"2018-10-06T16:09:10","modified_gmt":"2018-10-06T15:09:10","slug":"mountains-may-depart","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/mountains-may-depart\/","title":{"rendered":"Mountains May Depart"},"content":{"rendered":"\n<div id=\"eventPage\">\n<a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/03-Mountains-May-Depart.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/03-Mountains-May-Depart-450x300.jpg\" alt=\"Still from Mountains May Depart\" width=\"450\" height=\"300\" class=\"aligncenter size-medium wp-image-3641\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/03-Mountains-May-Depart-450x300.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/03-Mountains-May-Depart.jpg 1024w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 05 October 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/mountains-may-depart\/\" target=\"_self\">Mountains May Depart<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 05 October 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Zhangke Jia, China \/ France \/ Japan 2015, 123 mins, 12A<\/p>\n<blockquote>\n<div>\u201cAn extraordinary performance by Zhao Tao is the beating heart of Jia Zhang-ke&#39;s ambitious, time-jumping, continent-straddling drama.\u201d Robbie Collin, <i>The Telegraph<\/i><\/div>\n<\/blockquote>\n<p>Set in three periods, this extraordinary tale hinges on the choice made by Shen Tao between her two suitors, a brash, up-and-coming entrepreneur, and a quiet, intense mine worker. The consequences are far-reaching, especially for her son trying to find where he belongs in this changing world. A mesmerising and evocative film.<\/p>\n<blockquote>\n<div>\u201cA work of soaring ambition and deeply felt humanism.\u201d <i>Variety<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"http:\/\/www.theguardian.com\/film\/2015\/may\/20\/mountains-may-depart-review-jia-zhang-ke-scales-new-heights-with-futurist-drama\" target = \"_blank\">Guardian<\/a><\/li>\n<li><a href= \"http:\/\/www.rogerebert.com\/reviews\/mountains-may-depart-2016\" target = \"_blank\">RogerEbert.com<\/a><\/li>\n<li><a href= \"http:\/\/www.telegraph.co.uk\/film\/mountains-may-depart\/review\/\" target = \"_blank\">Telegraph<\/a><\/li>\n<li><a href= \"http:\/\/www.nytimes.com\/2016\/02\/12\/movies\/review-in-mountains-may-depart-jia-zhangke-shows-a-changing-china.html\" target = \"_blank\">New York Times<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/qc1ZKyhMG6o?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Zhangke Jia, China \/ France \/ Japan 2015, 123 mins, 12A \u201cAn extraordinary performance by Zhao Tao is the beating heart of Jia Zhang-ke&#39;s&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3641,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3640"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3640"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3640\/revisions"}],"predecessor-version":[{"id":3760,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3640\/revisions\/3760"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3641"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}