{"id":3636,"date":"2018-07-02T20:28:34","date_gmt":"2018-07-02T19:28:34","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3636"},"modified":"2018-09-22T08:10:01","modified_gmt":"2018-09-22T07:10:01","slug":"the-wages-of-fear","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-wages-of-fear\/","title":{"rendered":"The Wages of Fear"},"content":{"rendered":"\n<div id=\"eventPage\">\n<a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/02-wagesoffear1958.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/02-wagesoffear1958-450x171.jpg\" alt=\"Still from The Wages of Fear\" width=\"450\" height=\"171\" class=\"aligncenter size-medium wp-image-3637\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/02-wagesoffear1958-450x171.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/02-wagesoffear1958-1024x390.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/02-wagesoffear1958.jpg 1130w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 21 September 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/the-wages-of-fear\/\" target=\"_self\">The Wages of Fear<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 21 September 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Henri-Georges Clouzot, France \/ Italy 1953, 148 mins, 12A<\/p>\n<blockquote>\n<div>\u201cTurning the screws with a relentlessness that impresses even in this age of the ruthless, high-tech thriller, Clouzot strings together situations of vividly, almost sadistically imagined danger\u201d.  <i>Chicago Tribune<\/i><\/div>\n<\/blockquote>\n<p>Still rated one of the greatest action films of all time, <i>The Wages of Fear<\/i> continues to set the gold standard for tension and suspense. Unsentimental in its depiction of the human condition <i>The Wages of Fear<\/i> follows four men, down on their luck and enticed into driving trucks loaded with nitro-glycerine over treacherous terrain.<\/p>\n<blockquote>\n<div>\u201c<i>The Wages of Fear<\/i> has no superior in the field of action-suspense.\u201d <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"https:\/\/www.rogerebert.com\/reviews\/the-wages-of-fear-1992\" target = \"_blank\">Roger Ebert website<\/a><\/li>\n<li><a href= \"https:\/\/www.theguardian.com\/film\/2010\/oct\/19\/wages-fear-action\" target = \"_blank\">The Guardian<\/a><\/li>\n<li><a href= \"https:\/\/www.criterion.com\/films\/370-the-wages-of-fear \" target = \"_blank\">The Criterion Collection<\/a><\/li>\n<li><a href= \"https:\/\/www.slantmagazine.com\/film\/review\/the-wages-of-fear-5951\" target = \"_blank\">Slant Magazine<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/2_0OrSG5RWA?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Henri-Georges Clouzot, France \/ Italy 1953, 148 mins, 12A \u201cTurning the screws with a relentlessness that impresses even in this age of the ruthless,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3637,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3636"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3636"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3636\/revisions"}],"predecessor-version":[{"id":3749,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3636\/revisions\/3749"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3637"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}