{"id":3632,"date":"2018-07-02T20:25:11","date_gmt":"2018-07-02T19:25:11","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3632"},"modified":"2018-09-08T07:37:09","modified_gmt":"2018-09-08T06:37:09","slug":"in-between","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/in-between\/","title":{"rendered":"In Between"},"content":{"rendered":"\n<div id=\"eventPage\">\n<a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/01-InBetween.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/01-InBetween-450x300.jpg\" alt=\"Still from In Between\" width=\"450\" height=\"300\" class=\"aligncenter size-medium wp-image-3633\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/01-InBetween-450x300.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2018\/07\/01-InBetween.jpg 640w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 07 September 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/in-between\/\" target=\"_self\">In Between<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 07 September 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Maysaloun Hamoud, Israel\/France 2016, 103 mins, 15<\/p>\n<blockquote>\n<div>\u201cInevitable comparisons have been made with Lena Dunham\u2019s <i>Girls<\/i> and <i>Sex and the City<\/i>, but this has more in common with the feistiness of Pedro Almod\u00f3var\u2019s early anarchic friendship fable <i>Pepi, Luci, Bom and Other Girls Like Mom<\/i> than with either of those small-screen US antecedents.\u201d Mark Kermode, <i>The Observer<\/i><\/div>\n<\/blockquote>\n<p>Three very different young Palestinian women share an apartment in Tel Aviv, trying to shape their own destinies in a patriarchal society.  Humour is their readiest defence in the culture-war skirmishes between them, but gradually the price of their independence, and their principled commitment to their own autonomy, becomes apparent.<\/p>\n<blockquote>\n<div>\u201cOn a side note &#8230; an actual fatwa was issued against Hamoud \u2014 the  first against a Palestinian in 70 years \u2014 for her depictions of  homosexuality, intoxication and drug use. That \u2014 combined with no less  than Isabelle Huppert declaring the women featured in <i>In Between<\/i> as \u2018heroines of our time\u2019 while presenting an award at Cannes last year \u2014 is as good a  recommendation you can get.\u201d rogerebert.com<\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"https:\/\/www.rogerebert.com\/reviews\/in-between-2018\" target = \"_blank\">Roger Ebert<\/a><\/li>\n<li><a href= \"https:\/\/www.theguardian.com\/film\/2017\/sep\/24\/in-between-review-maysaloun-hamoud-female-muslim-flatmates-tel-aviv\" target = \"_blank\">The Guardian<\/a><\/li>\n<li><a href= \"https:\/\/www.nytimes.com\/2018\/01\/04\/movies\/in-between-review.html\" target = \"_blank\">New York Times<\/a><\/li>\n<li><a href= \"https:\/\/www.timeout.com\/london\/film\/in-between\" target = \"_blank\">Time Out<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/GpUVQMDoewU?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Maysaloun Hamoud, Israel\/France 2016, 103 mins, 15 \u201cInevitable comparisons have been made with Lena Dunham\u2019s Girls and Sex and the City, but this has&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3633,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3632"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3632"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3632\/revisions"}],"predecessor-version":[{"id":3730,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3632\/revisions\/3730"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3633"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}