{"id":3486,"date":"2017-06-30T09:44:01","date_gmt":"2017-06-30T08:44:01","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3486"},"modified":"2018-09-08T07:38:41","modified_gmt":"2018-09-08T06:38:41","slug":"the-salesman","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-salesman\/","title":{"rendered":"The Salesman"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/16-The_Salesman.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3487\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/16-The_Salesman-450x253.jpg\" alt=\"Still from The Salesman\" width=\"450\" height=\"253\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/16-The_Salesman-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/16-The_Salesman-1024x576.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/16-The_Salesman.jpg 1920w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\"><!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 20 April 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/the-salesman\/\" target=\"_self\">The Salesman<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 20 April 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Asghar Farhadi, Iran 2016, 124 mins, PG<\/p>\n<blockquote>\n<div>\u201csmart, ambitious\u2026well-crafted drama\u201d <i>Guardian<\/i><\/div>\n<\/blockquote>\n<p>A young couple taking part in an amateur production of Arthur Miller\u2019s <i>Death of a Salesman<\/i> are forced to move to another apartment. Once relocated, a sudden eruption of violence linked to the previous tenant of their new home dramatically changes their lives, creating a simmering tension between husband and wife.<\/p>\n<blockquote>\n<div>\u201cThis quietly provocative drama won the Iranian director Asghar Farhadi his second Oscar\u201d <i>The Times<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2017\/mar\/19\/the-salesman-review-asghar-farhadi-oscar-winner-foreign-language\">Observer<\/a><\/li>\n<li><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/the-salesman-review-oscar-foreign-language-film-winner-asghar-farhadi-donald-trump-muslim-ban-a7631001.html\">Independent<\/a><\/li>\n<li><a href=\"http:\/\/www.rogerebert.com\/interviews\/we-become-completely-different-people-asghar-farhadi-on-the-salesman\" target=\"_blank\" rel=\"noopener\">Interview with Asghar Farhadi<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/01\/26\/movies\/the-salesman-review-asghar-farhadi.html\">New York Times<\/a><\/li>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/the-salesman-2017\">RogerEbert.com<\/a><\/li>\n<li><a href=\"http:\/\/www.eyeforfilm.co.uk\/review\/the-salesman-2016-film-review-by-amber-wilkinson\">Eye for Film<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/QTMm-h60pdM?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Asghar Farhadi, Iran 2016, 124 mins, PG \u201csmart, ambitious\u2026well-crafted drama\u201d Guardian A young couple taking part in an amateur production of Arthur Miller\u2019s Death&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3487,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3486"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3486"}],"version-history":[{"count":4,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3486\/revisions"}],"predecessor-version":[{"id":3736,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3486\/revisions\/3736"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3487"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}