{"id":3470,"date":"2017-06-30T09:35:31","date_gmt":"2017-06-30T08:35:31","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3470"},"modified":"2018-09-08T07:39:55","modified_gmt":"2018-09-08T06:39:55","slug":"the-other-side-of-hope","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-other-side-of-hope\/","title":{"rendered":"The Other Side of Hope"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/12-the-other-side-of-hope.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/12-the-other-side-of-hope-450x300.jpg\" alt=\"Still from The Other Side of Hope\" width=\"450\" height=\"300\" class=\"aligncenter size-medium wp-image-3471\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/12-the-other-side-of-hope-450x300.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/12-the-other-side-of-hope.jpg 780w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\">\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 09 February 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/the-other-side-of-hope\/\" target=\"_self\">The Other Side of Hope<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 09 February 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Aki Kaurism\u00e4ki, Finland\/Germany 2017, 100 mins, 12A<\/p>\n<blockquote>\n<div>\u201cWinsome, sweet, and often very funny\u201d <i>IndieWire<\/i><\/div>\n<\/blockquote>\n<p>The quirky, deadpan humour of this director is remorseless as Khaled, the Syrian refugee to Finland, finds himself facing the realities of immigrant life, aided by his unlikely saviour, Wikstr\u00f6m, a travelling salesman turned restaurateur. The plight of the refugee is poignantly and sympathetically laid bare.<\/p>\n<blockquote>\n<div>&quot;You could never have heard of Aki Kaurism\u00e4ki and come away from this film knowing exactly what the fuss has always been about&quot; <i>The Telegraph<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"https:\/\/www.theguardian.com\/film\/2017\/may\/25\/the-other-side-of-hope-review-aki-kaurismaki-refugee-crisis\" target = \"_blank\">Guardian<\/a><\/li>\n<li><a href= \"http:\/\/www.indiewire.com\/2017\/02\/berlinale-2017-berlin-film-festival-the-other-side-of-hope-review-aki-kaurismaki-finland-1201782984\/\" target = \"_blank\">IndieWire<\/a><\/li>\n<li><a href= \"http:\/\/www.telegraph.co.uk\/films\/0\/refugee-drama-side-hope-combines-poignancy-withtorrents-laughter\/\" target = \"_blank\">The Telegraph<\/a><\/li>\n<li><a href= \"http:\/\/www.hollywoodreporter.com\/review\/other-side-of-hope-berlin-2017-975923\" target = \"_blank\">Hollywood Reporter<\/a><\/li>\n<li><a href= \"http:\/\/variety.com\/2017\/film\/markets-festivals\/the-other-side-of-hope-review-berlinale-2017-1201987859\/\" target = \"_blank\">Variety<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/qtiFG6utst8?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Aki Kaurism\u00e4ki, Finland\/Germany 2017, 100 mins, 12A \u201cWinsome, sweet, and often very funny\u201d IndieWire The quirky, deadpan humour of this director is remorseless as&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3471,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3470"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3470"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3470\/revisions"}],"predecessor-version":[{"id":3744,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3470\/revisions\/3744"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3471"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}