{"id":3462,"date":"2017-06-30T09:31:30","date_gmt":"2017-06-30T08:31:30","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3462"},"modified":"2018-01-12T23:59:39","modified_gmt":"2018-01-12T22:59:39","slug":"frantz","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/frantz\/","title":{"rendered":"Frantz"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/10-Frantz.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/10-Frantz-450x253.jpg\" alt=\"Still from Frantz\" width=\"450\" height=\"253\" class=\"aligncenter size-medium wp-image-3463\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/10-Frantz-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/10-Frantz-1024x576.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/10-Frantz.jpg 1920w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\">\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 12 January 2018: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/frantz\/\" target=\"_self\">Frantz<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 12 January 2018, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Fran\u00e7ois Ozon, France \/ Germany 2016, 113 mins, 12A<\/p>\n<blockquote>\n<div>&quot;illustrates yet again how this cinematic master is truly a worthy successor to Hitchcock&quot; <i>Boston Herald<\/i><\/div>\n<\/blockquote>\n<p>\u201cA haunting but hopeful portrait of how forgiveness can ease pain and love can overcome the heaviest of burdens.\u201d <i>Little White Lies<\/i><\/p>\n<p>Loosely based on Ernst Lubitsch\u2019s 1932 anti-war film <i>Broken Lullaby<\/i>, Ozon\u2019s film gives us romance, riddles and lies. Starting in Germany in 1919, Anna observes a young Frenchman at the grave of her fianc\u00e9 Frantz, which leads us into a complex and ambiguous story, touching on truth, anger and grief.<\/p>\n<blockquote>\n<div>&quot;Ozon weaves a compelling tale of national tragedies and private griefs&quot; <i>Globe and Mail<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"https:\/\/www.theguardian.com\/film\/2017\/may\/14\/frantz-review-francois-ozon\" target = \"_blank\">Observer<\/a><\/li>\n<li><a href= \"https:\/\/www.timeout.com\/london\/film\/frantz\" target = \"_blank\">Time Out<\/a><\/li>\n<li><a href= \"https:\/\/www.ft.com\/content\/411c91de-29c0-11e7-9ec8-168383da43b7\" target = \"_blank\">Interview with Ozon in the FT<\/a><\/li>\n<li><a href= \"https:\/\/www.theguardian.com\/film\/2016\/sep\/10\/frantz-review-francois-ozon-toronto-film-festival-tiff\" target = \"_blank\">Guardian<\/a><\/li>\n<li><a href= \"http:\/\/www.telegraph.co.uk\/films\/0\/frantz-review-francois-ozons-gripping-homage-hitchcock\/\" target = \"_blank\">Telegraph<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/FbbYzVwS0iE?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Fran\u00e7ois Ozon, France \/ Germany 2016, 113 mins, 12A &quot;illustrates yet again how this cinematic master is truly a worthy successor to Hitchcock&quot; Boston&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3463,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3462"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3462"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3462\/revisions"}],"predecessor-version":[{"id":3594,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3462\/revisions\/3594"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3463"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}