{"id":3454,"date":"2017-06-30T09:21:25","date_gmt":"2017-06-30T08:21:25","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3454"},"modified":"2017-12-02T08:25:27","modified_gmt":"2017-12-02T07:25:27","slug":"hidden-figures","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/hidden-figures\/","title":{"rendered":"Hidden Figures"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/08-hidden_figures.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3455\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/08-hidden_figures-450x300.jpg\" alt=\"Still from Hidden Figures\" width=\"450\" height=\"300\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/08-hidden_figures-450x300.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/08-hidden_figures.jpg 920w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\"><!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 01 December 2017: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/hidden-figures\/\" target=\"_self\">Hidden Figures<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 01 December 2017, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Theodore Melfi , USA 2017, 127 mins, PG<\/p>\n<blockquote>\n<div>\u201cLots of movies are labelled as \u2018inspirational\u2019 \u2013 <i>Hidden Figures<\/i> truly earns the right to the term\u201d <i>Rolling Stone<\/i><\/div>\n<\/blockquote>\n<p>Three extraordinary black women fight for their places at the heart of 1960s NASA, an institution dominated by white men and in a society with deeply entrenched racist attitudes. They become instigators of immense change both in society and at the pinnacle of NASA\u2019s space team trying to beat the Russians into orbit.<\/p>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/hidden-figures-2016\" target=\"_blank\" rel=\"noopener\">Roger Ebert<\/a><\/li>\n<li><a href=\"http:\/\/www.telegraph.co.uk\/films\/0\/hidden-figures-review-space-race-segregation-drama-full-star\/\" target=\"_blank\" rel=\"noopener\">The Telegraph<\/a><\/li>\n<li><a href=\"http:\/\/www.radiotimes.com\/news\/2017-02-10\/hidden-figures-review-captures-all-the-grit-grace-and-brilliance-of-its-three-female-protagonists\" target=\"_blank\" rel=\"noopener\">Radio Times<\/a><\/li>\n<li><a href=\"https:\/\/www.recode.net\/2017\/1\/18\/14312464\/hidden-figures-movie-artificial-intelligence-ai-consumer-trust\" target=\"_blank\" rel=\"noopener\">Recode<\/a><\/li>\n<li><a href=\"https:\/\/www.vox.com\/culture\/2016\/12\/23\/14005812\/hidden-figures-review-taraji-henson-octavia-spencer-janelle-monae-john-glenn-nasa\" target=\"_blank\" rel=\"noopener\">Vox<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5wfrDhgUMGI?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Theodore Melfi , USA 2017, 127 mins, PG \u201cLots of movies are labelled as \u2018inspirational\u2019 \u2013 Hidden Figures truly earns the right to the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3455,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3454"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3454"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3454\/revisions"}],"predecessor-version":[{"id":3577,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3454\/revisions\/3577"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3455"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}