{"id":3450,"date":"2017-06-30T09:19:20","date_gmt":"2017-06-30T08:19:20","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3450"},"modified":"2017-12-02T08:24:54","modified_gmt":"2017-12-02T07:24:54","slug":"graduation","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/graduation\/","title":{"rendered":"Graduation"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/07-graduation.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3451\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/07-graduation-450x188.jpg\" alt=\"Still from Graduation\" width=\"450\" height=\"188\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/07-graduation-450x188.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/07-graduation-1024x429.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/07-graduation.jpg 1500w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\"><!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 17 November 2017: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/graduation\/\" target=\"_self\">Graduation<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 17 November 2017, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Cristian Mungiu, Romania\/France\/Belgium 2017, 128 mins, 15<\/p>\n<blockquote>\n<div>\u201cBleak, naturalistic and flawlessly acted.\u201d <i>Los Angeles Times<\/i><\/div>\n<\/blockquote>\n<p>Eliza has been convinced by her father Romeo she must leave Romania to study and live abroad. On the eve of her final exams an assault leaves her badly shaken, jeopardising the chance of a vital Cambridge scholarship. To ensure her success Romeo resorts to underhand measures with dramatic consequences. Best Director Cannes 2016.<\/p>\n<blockquote>\n<div>&#8220;It&#8217;s consistently absorbing and well acted, and Mungiu&#8217;s camera makes even simple police interrogations or drive-around sequences unassuming things of beauty.&#8221; <i>Chicago Tribune<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/graduation-2017\" target=\"_blank\" rel=\"noopener\">Roger Ebert<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2017\/04\/06\/movies\/graduation-review.html?_r=0\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2017\/mar\/31\/graduation-review-a-five-star-tragedy-of-grim-adult-compromise\" target=\"_blank\" rel=\"noopener\">The Guardian<\/a><\/li>\n<li><a href=\"http:\/\/www.telegraph.co.uk\/films\/2016\/05\/22\/cannes-2016-graduation-a-vision-of-romanias-grass-roots-corrupti\/\" target=\"_blank\" rel=\"noopener\">The Telegraph<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2017\/apr\/02\/graduation-cristian-mungui-superb-scalding-satire-review-romanian-cinema\" target=\"_blank\" rel=\"noopener\">The Observer<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5hKtgrj7UXo?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Cristian Mungiu, Romania\/France\/Belgium 2017, 128 mins, 15 \u201cBleak, naturalistic and flawlessly acted.\u201d Los Angeles Times Eliza has been convinced by her father Romeo she&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3451,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3450"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3450"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3450\/revisions"}],"predecessor-version":[{"id":3575,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3450\/revisions\/3575"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3451"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}