{"id":3435,"date":"2017-06-30T09:11:56","date_gmt":"2017-06-30T08:11:56","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3435"},"modified":"2017-10-19T06:04:06","modified_gmt":"2017-10-19T05:04:06","slug":"clash","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/clash\/","title":{"rendered":"Clash"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/04-Clash.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3436\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/04-Clash-450x292.jpg\" alt=\"Still from Clash\" width=\"450\" height=\"292\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/04-Clash-450x292.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/04-Clash-110x70.jpg 110w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/04-Clash.jpg 905w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\">\n<p><!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 06 October 2017: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/clash\/\" target=\"_self\">Clash<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 06 October 2017, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Mohamed Diab, Egypt 2016, 97 mins, 15<\/p>\n<blockquote>\n<div>\u201cIf there&#8217;s any way you can see <i>Clash<\/i> by Egyptian director Mohamed Diab, you simply must. The film will break your heart, but enlighten all.&#8221; Tom Hanks<\/div>\n<\/blockquote>\n<p>In 2013, when the army removed the Muslim Brotherhood from power there were major clashes on the streets of Cairo. This extraordinary drama charts the upheaval almost entirely from the inside of a police van, and is one of the most gripping and tense political films for years. A fabulous piece of film-making.<\/p>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2017\/apr\/19\/clash-review-egyptian-protests-revolution-mohamed-diab\" target=\"_blank\" rel=\"noopener\">Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.timeout.com\/london\/film\/clash\" target=\"_blank\" rel=\"noopener\">Time Out<\/a><\/li>\n<li><a href=\"https:\/\/www.spectator.co.uk\/2017\/04\/its-worse-than-it-was-under-mubarak-egypts-rebel-film-maker-interviewed\/#\" target=\"_blank\" rel=\"noopener\">Interview with the director. The Spectator<\/a><\/li>\n<li><a href=\"http:\/\/www.empireonline.com\/movies\/clash\/review\/\">Empire<\/a><\/li>\n<li><a href=\"https:\/\/www.screendaily.com\/reviews\/clash-cannes-review\/5103774.article\">Screen Daily<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2016\/may\/13\/clash-review-egyptian-revolution\">Guardian<\/a> (Cannes 2016)<\/li>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/clash-2017\">RogerEbert.com<\/a><\/li>\n<li><a href=\"http:\/\/variety.com\/2016\/film\/festivals\/cannes-film-review-clash-1201773347\/\">Variety<\/a><\/li>\n<li><a href=\"https:\/\/www.standard.co.uk\/goingout\/film\/clash-film-review-the-year-egypt-tore-itself-apart-a3520126.html\">Evening Standard<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=2ZJinA0vsA4\" target=\"_blank\" rel=\"noopener\">Interview with the director at London Film Festival<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Y0gSSqv2g-4?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Mohamed Diab, Egypt 2016, 97 mins, 15 \u201cIf there&#8217;s any way you can see Clash by Egyptian director Mohamed Diab, you simply must. The&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3436,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3435"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3435"}],"version-history":[{"count":5,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3435\/revisions"}],"predecessor-version":[{"id":3561,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3435\/revisions\/3561"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3436"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}