{"id":3419,"date":"2017-06-30T06:39:33","date_gmt":"2017-06-30T05:39:33","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3419"},"modified":"2017-09-09T08:30:54","modified_gmt":"2017-09-09T07:30:54","slug":"a-man-called-ove","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/a-man-called-ove\/","title":{"rendered":"A Man Called Ove"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/01-ManCalledOve.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/01-ManCalledOve-450x236.jpg\" alt=\"Still from A Man Called Ove\" width=\"450\" height=\"236\" class=\"aligncenter size-medium wp-image-3420\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/01-ManCalledOve-450x236.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/01-ManCalledOve-1024x536.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2017\/06\/01-ManCalledOve.jpg 1050w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\">\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 08 September 2017: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/a-man-called-ove\/\" target=\"_self\">A Man Called Ove<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 08 September 2017, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Hannes Holm, Sweden 2015, 116 mins, PG<\/p>\n<blockquote>\n<div>\u201cSwedish nod to <i>It&#39;s a Wonderful Life<\/i>.\u201d <i>Morning Post<\/i><\/div>\n<\/blockquote>\n<p>Ove, a grieving widower of 59, is a Scandinavian blend of Victor Meldrew and Scrooge. While berating his bothersome neighbours and enforcing pedantic rules, he gets caught up in the domestic dramas of an immigrant family. Reflecting on scenes from his past life, he starts to realise that he is valued and can care deeply again.<\/p>\n<blockquote>\n<div>&quot;as you gradually come to &#8230;learn his back story and figure out why he is the way he is, you just sort of melt.&quot; National Public Radio<\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"http:\/\/www.rogerebert.com\/reviews\/a-man-called-ove-2016\" target = \"_blank\">Roger Ebert<\/a><\/li>\n<li><a href= \"https:\/\/www.washingtonpost.com\/goingoutguide\/movies\/a-man-called-ove-the-curmudgeon-next-door--with-a-swedish-twist\/2016\/10\/20\/481e824c-9575-11e6-bb29-bf2701dbe0a3_story.html?utm_term=.14a66f108936\" target = \"_blank\">The Washington Post<\/a><\/li>\n<li><a href= \"http:\/\/www.npr.org\/2016\/09\/30\/495976398\/a-swedish-curmudgeon-wins-hearts-on-the-page-and-now-on-screen\" target = \"_blank\">National Public Radio<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/oCh4iiAXuAc?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Hannes Holm, Sweden 2015, 116 mins, PG \u201cSwedish nod to It&#39;s a Wonderful Life.\u201d Morning Post Ove, a grieving widower of 59, is a&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3420,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3419"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3419"}],"version-history":[{"count":5,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3419\/revisions"}],"predecessor-version":[{"id":3527,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3419\/revisions\/3527"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3420"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}