{"id":3231,"date":"2016-06-19T16:04:27","date_gmt":"2016-06-19T15:04:27","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3231"},"modified":"2017-04-01T07:57:29","modified_gmt":"2017-04-01T06:57:29","slug":"i-daniel-blake","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/i-daniel-blake\/","title":{"rendered":"I, Daniel Blake"},"content":{"rendered":"<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/i-daniel-blake-3.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3391\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/i-daniel-blake-3-450x263.png\" alt=\"Still from I, Daniel Blake\" width=\"450\" height=\"263\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/i-daniel-blake-3-450x263.png 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/i-daniel-blake-3-1024x597.png 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/i-daniel-blake-3.png 1200w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<div id=\"eventPage\">\n<p><!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 31 March 2017: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/I-daniel-blake\/\" target=\"_self\">I, Daniel Blake<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 31 March 2017, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Ken Loach, UK 2016, 100mins, 15<\/p>\n<blockquote>\n<div>&#8220;Ken Loach\u2019s latest Palme d\u2019Or winner, his second after 2006\u2019s <i>The Wind that Shakes the Barley<\/i>, packs a hefty punch, both personal and political. On one level, it is a polemical indictment of a faceless benefits bureaucracy that strips claimants of their humanity by reducing them to mere numbers. On another, it is a celebration of the decency and kinship of (extra)ordinary people who look out for each other when the state abandons its duty of care.&#8221; &#8211; Mark Kermode, <i>The Observer<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2016\/oct\/20\/i-daniel-blake-review-ken-loach-film-benefits-system\" target=\"_blank\">The Guardian<\/a><\/li>\n<li><a href=\"https:\/\/www.timeout.com\/london\/film\/i-daniel-blake\" target=\"_blank\">Time Out<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2016\/oct\/23\/i-daniel-blake-ken-loach-review-mark-kermode\" target=\"_blank\">The Observer<\/a><\/li>\n<li><a href=\"http:\/\/www.slate.com\/articles\/arts\/movies\/2016\/12\/ken_loach_s_i_daniel_blake_reviewed.html\" target=\"_blank\">Slate magazine<\/a><\/li>\n<li><a href=\"http:\/\/www.eyeforfilm.co.uk\/review\/i-daniel-blake-2016-film-review-by-richard-mowe\" target=\"_blank\">Eye for Film<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2016\/oct\/15\/ken-laoch-film-i-daniel-blake-kes-cathy-come-home-interview-simon-hattenstone\">Interview with Ken Loach<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ahWgxw9E_h4?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Ken Loach, UK 2016, 100mins, 15 &#8220;Ken Loach\u2019s latest Palme d\u2019Or winner, his second after 2006\u2019s The Wind that Shakes the Barley, packs a&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3232,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3231"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3231"}],"version-history":[{"count":5,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3231\/revisions"}],"predecessor-version":[{"id":3400,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3231\/revisions\/3400"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3232"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}