{"id":3201,"date":"2016-06-19T10:37:51","date_gmt":"2016-06-19T09:37:51","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3201"},"modified":"2017-03-07T07:42:57","modified_gmt":"2017-03-07T06:42:57","slug":"shooting-stars","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/shooting-stars\/","title":{"rendered":"Shooting Stars"},"content":{"rendered":"\n<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/shooting-stars-650.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/shooting-stars-650-450x277.jpg\" alt=\"Still from Shooting Stars\" width=\"450\" height=\"277\" class=\"aligncenter size-medium wp-image-3202\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/shooting-stars-650-450x277.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/shooting-stars-650.jpg 650w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n         <!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 20 January 2017: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/shooting-stars\/\" target=\"_self\">Shooting Stars<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 20 January 2017, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: Anthony Asquith\/A.V. Bramble, UK 1928, 101 mins, PG<\/p>\n<blockquote>\n<div>&quot;Anthony Asquith\u2019s sharp-edged 1928 satire of the film industry, proves  the lure of the behind-the-cameras drama is almost as old as cinema  itself&quot; <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<p>A delightful, clever and audacious film about the film business, this was director Anthony Asquith&#39;s first feature. With Hitchcock, he is recognised as one of the masters of silent film in Britain, as his other films bear out (<i>A Cottage on Dartmoor<\/i> and <i>Underground<\/i>). A special screening with live music from Terry Davies.<\/p>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"http:\/\/www.theguardian.com\/film\/2015\/oct\/05\/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith\" target = \"_blank\">The Guardian<\/a><\/li>\n<li><a href= \"https:\/\/silentlondon.co.uk\/2015\/08\/20\/shooting-stars-announced-as-the-2015-london-film-festival-archive-gala\/\" target = \"_blank\">Silent London<\/a><\/li>\n<li><a href= \"http:\/\/lukemckernan.com\/2015\/09\/07\/shooting-stars\/\" target = \"_blank\">Luke McKernan (film historian)<\/a><\/li>\n<li><a href= \"http:\/\/www.popmatters.com\/review\/shooting-stars1\/\" target = \"_blank\">Pop Matters<\/a><\/li>\n<\/ol>\n<h4>Extract<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/rmTt6XxxvNU?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Anthony Asquith\/A.V. Bramble, UK 1928, 101 mins, PG &quot;Anthony Asquith\u2019s sharp-edged 1928 satire of the film industry, proves the lure of the behind-the-cameras drama&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3202,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3201"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3201"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3201\/revisions"}],"predecessor-version":[{"id":3384,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3201\/revisions\/3384"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3202"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}