{"id":3168,"date":"2016-06-18T07:07:37","date_gmt":"2016-06-18T06:07:37","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3168"},"modified":"2016-11-07T12:19:30","modified_gmt":"2016-11-07T11:19:30","slug":"moolaade","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/moolaade\/","title":{"rendered":"Moolaad\u00e9"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/moolaade.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3169\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/moolaade-450x253.jpg\" alt=\"Still from Moolaade\" width=\"450\" height=\"253\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/moolaade-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/moolaade-1024x576.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/moolaade.jpg 1280w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 04 November 2016: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/moolaade\/\" target=\"_self\">Moolaad\u00e9<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 04 November 2016, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Ousmane Semb\u00e8ne, Senegal \/ France \/ Burkina Faso \/ Cameroon \/Morocco \/ Tunisia 2005, 122 mins, 15<\/p>\n<blockquote>\n<div>&#8220;The eighty something Semb\u00e8ne delivers a powerfully acted and colourfully shot polemic. A perceptive observation of daily life in an African village that celebrates female bravery and solidarity.&#8221; Film4<\/div>\n<\/blockquote>\n<p>A story of will, defiance and ancient custom. In a remote African village four girls facing genital mutilation flee to the compound of Coll\u00e9, a free-spirited woman, herself deeply scarred by the procedure. To protect the fugitives she invokes the ancient custom of Moolaad\u00e9 (magical sanctuary). Winner of Un Certain Regard, Cannes 2004.<\/p>\n<blockquote>\n<div>&#8220;It makes a powerful statement and at the same time contains humour, charm, and astonishing visual beauty.&#8221; Roger Ebert <i>Chicago Sun Times<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/News_Story\/Critic_Review\/Observer_review\/0,4267,1499477,00.html\" target=\"_blank\">The Observer<\/a><\/li>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/great-movie-moolaade-2007\" target=\"_blank\">Roger Ebert<\/a><\/li>\n<li><a href=\"http:\/\/old.bfi.org.uk\/sightandsound\/review\/2361\" target=\"_blank\">Sight &amp; Sound<\/a><\/li>\n<li><a href=\"http:\/\/ http:\/\/www.nytimes.com\/2004\/10\/13\/movies\/13mool.html?_r=1\" target=\"_blank\">New York Times<\/a><\/li>\n<li><a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A28305-2004Dec2.html\" target=\"_blank\">Washington Post<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eUWSwJfz8gI?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Ousmane Semb\u00e8ne, Senegal \/ France \/ Burkina Faso \/ Cameroon \/Morocco \/ Tunisia 2005, 122 mins, 15 &#8220;The eighty something Semb\u00e8ne delivers a powerfully&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3169,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3168"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3168"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3168\/revisions"}],"predecessor-version":[{"id":3302,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3168\/revisions\/3302"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3169"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}