{"id":3156,"date":"2016-06-18T06:54:22","date_gmt":"2016-06-18T05:54:22","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=3156"},"modified":"2016-11-07T22:22:44","modified_gmt":"2016-11-07T21:22:44","slug":"taxi-tehran","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/taxi-tehran\/","title":{"rendered":"Taxi Tehran"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/taxi-tehran.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3157\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/taxi-tehran-450x253.jpg\" alt=\"Still from Taxi Tehran\" width=\"450\" height=\"253\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/taxi-tehran-450x253.jpg 450w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/taxi-tehran-1024x577.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2016\/06\/taxi-tehran.jpg 1280w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 14 October 2016: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/taxi-tehran\/\" target=\"_self\">Taxi Tehran<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 14 October 2016, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/div>\n<div>Director: Jafar Panahi, Iran 2015, 78 mins, 12A<\/p>\n<blockquote>\n<div>&#8220;This spry, sharp and relentlessly clever middle finger to censorship is Panahi\u2019s boldest act of defiance to date.&#8221; <i>Time Out New York<\/i><\/div>\n<\/blockquote>\n<p>In this masterpiece of guerilla filmmaking Iranian director Jafar Panahi, who has been banned from filmmaking in Iran, takes us on a road trip through Tehran. His taxi, equipped with video cameras, becomes a stage for tragedies, crimes and confessions and gives deep and entertaining insight into today\u2019s Iranian society.<\/p>\n<blockquote>\n<div>&#8220;A love letter to cinema.&#8221; Darren Aronofsky<\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.timeout.com\/london\/film\/taxi-tehran\">Time Out<\/a><\/li>\n<li><a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/reviews-recommendations\/film-week-taxi-tehran\">Sight and Sound<\/a><\/li>\n<li><a href=\"http:\/\/www.timeout.com\/us\/film\/taxi-2015\" target=\"_blank\">Time Out New York<\/a><\/li>\n<li><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/taxi-tehran-film-review-an-iranian-road-trip-movie-with-a-message-a6714306.html\">Independent<\/a><\/li>\n<li><a href=\"http:\/\/www.nytimes.com\/2015\/10\/02\/movies\/review-in-taxi-a-filmmaker-pushes-against-iranian-censorship-from-behind-the-wheel.html?&amp;_r=0\" target=\"_blank\">New York Times<\/a><\/li>\n<li><a href=\"http:\/\/www.theguardian.com\/film\/2015\/nov\/01\/taxi-tehran-review-admirable-jafar-panahi-takes-to-the-streets\" target=\"_blank\">The Observer<\/a><\/li>\n<li><a href=\"https:\/\/www.theguardian.com\/film\/2015\/oct\/29\/taxi-tehran-review-jafar-panahi\">The Guardian<\/a><\/li>\n<li><a href=\"http:\/\/www.standard.co.uk\/goingout\/film\/taxi-tehran-film-review-enchanting-filmmaking-a3103031.html\">Evening Standard<\/a><\/li>\n<li><a href=\"http:\/\/www.telegraph.co.uk\/film\/taxi-tehran\/review\/\">Telegraph<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eM2tblIkL4g?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Jafar Panahi, Iran 2015, 78 mins, 12A &#8220;This spry, sharp and relentlessly clever middle finger to censorship is Panahi\u2019s boldest act of defiance to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3157,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3156"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=3156"}],"version-history":[{"count":4,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3156\/revisions"}],"predecessor-version":[{"id":3315,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/3156\/revisions\/3315"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/3157"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=3156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}