{"id":2911,"date":"2015-09-06T08:40:33","date_gmt":"2015-09-06T07:40:33","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=2911"},"modified":"2016-02-07T08:13:49","modified_gmt":"2016-02-07T07:13:49","slug":"marshland","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/marshland\/","title":{"rendered":"Marshland"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/18-marshland.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-2912\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/18-marshland-300x185.jpg\" alt=\"Still from Marshland\" width=\"300\" height=\"185\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/18-marshland-300x185.jpg 300w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/18-marshland-1024x630.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/18-marshland.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 05 February 2016: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/marshland\/\" target=\"_self\">Marshland<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 05 February 2016, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Alberto Rodr\u00edguez, Spain 2015, 104 mins, 15<\/p>\n<blockquote>\n<div>&#8220;This superbly crafted, richly textured thriller is one of the strongest Spanish films of the year&#8221; &#8211; Jonathan Holland, <i>The Hollywood Reporter<\/i><\/div>\n<\/blockquote>\n<p>Set in just post-Franco Spain, a seasoned, fascist-era cop and an upright, untainted rookie are sent from Madrid to investigate serial murders in the hauntingly beautiful backwaters of Andalucia &#8211; the marshlands of the title. Their tense partnership forms the subject of the film as much as the twisting plot itself.<\/p>\n<blockquote>\n<div>&#8220;Winner of 10 Goya Awards in 2015, including best film, best director &#8230; best actor and best art direction, this is an unmissable festival highlight which showcases brooding Spanish cinema at its very best&#8221; <i>Spanish Film Festival<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.empireonline.com\/movies\/marshland\/review\/\">Empire<\/a><\/li>\n<li><a href=\"http:\/\/www.eyeforfilm.co.uk\/review\/marshland-2014-film-review-by-amber-wilkinson\">Eye for Film<\/a><\/li>\n<li><a href=\"http:\/\/www.screendaily.com\/reviews\/the-latest\/marshland\/5077770.article\" target=\"_blank\">Screen Daily<\/a><\/li>\n<li><a href=\"http:\/\/www.urbancinefile.com.au\/home\/view.asp?a=21114&amp;s=Reviews\" target=\"_blank\">Urban Cinefile<\/a><\/li>\n<li><a href=\"http:\/\/www.hollywoodreporter.com\/review\/marshland-la-isla-minima-san-734452\" target=\"_blank\">The Hollywood Reporter<\/a><\/li>\n<li><a href=\"http:\/\/www.filmfactoryentertainment.com\/ficha.php?id=111\" target=\"_blank\">Film Factory Entertainment<\/a><\/li>\n<li><a href=\"http:\/\/www.smh.com.au\/entertainment\/movies\/spanish-film-festival-goya-darling-marshland-a-brooding-take-on-brutal-clash-of-cultures-20150508-ggwy0t.html\" target=\"_blank\">The Sydney Morning Herald<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wa4cFz7Fpz0?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Alberto Rodr\u00edguez, Spain 2015, 104 mins, 15 &#8220;This superbly crafted, richly textured thriller is one of the strongest Spanish films of the year&#8221; &#8211;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2912,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2911"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=2911"}],"version-history":[{"count":4,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2911\/revisions"}],"predecessor-version":[{"id":3060,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2911\/revisions\/3060"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/2912"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=2911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}