{"id":2905,"date":"2015-09-06T08:33:55","date_gmt":"2015-09-06T07:33:55","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=2905"},"modified":"2016-01-23T08:43:04","modified_gmt":"2016-01-23T07:43:04","slug":"ex-machina","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/ex-machina\/","title":{"rendered":"Ex Machina"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/17-ex-machina-movie.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-2906\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/17-ex-machina-movie-300x169.jpg\" alt=\"Still from Ex Machina\" width=\"300\" height=\"169\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/17-ex-machina-movie-300x169.jpg 300w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/09\/17-ex-machina-movie.jpg 680w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 22 January 2016: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/ex-machina\/\" target=\"_self\">Ex Machina<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 22 January 2016, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Alex Garland, UK 2015, 108 mins, 15<\/p>\n<blockquote>\n<div>\n<p>&#8220;IT&#8217;S a rare thing to see a movie about science that takes no prisoners intellectually. <i>(This film)&#8230;<\/i> is just that: a stylish, spare and cerebral psycho-techno-thriller, which gives a much-needed shot in the arm for smart science fiction&#8221; &#8211; Anil Seth, <i>New Scientist<\/i><\/p>\n<\/div>\n<\/blockquote>\n<p>In this scientifically scrupulous tour-de-force, Nathan, creative genius behind artificially intelligent robot Ava, selects young programmer, Caleb, to becomes the human component in a &#8216;Turing Test&#8217; to evaluate the human capabilities of the breathtakingly beautiful Ava. The tense twists and turns of the plot centre on their relationship and the age-old question: what is consciousness?<\/p>\n<blockquote>\n<div>&#8220;Alex Garland\u2019s sci-fi drama, <i>\u201cEx Machina,\u201d<\/i> is the kind of film that sticks with you long after countless pictures have faded from memory&#8221; Matt Fagerholm &#8211; <i>Roger Ebert.com<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/reviews-recommendations\/film-week-ex-machina\" target=\"_blank\">Sight &amp; Sound<\/a><\/li>\n<li><a href=\"http:\/\/www.telegraph.co.uk\/film\/ex-machina\/review\/\">Telegraph<\/a><\/li>\n<li><a href=\"http:\/\/www.theguardian.com\/film\/2015\/jan\/25\/ex-machina-review-mark-kermode-alex-garland-vikander\">Observer<\/a><\/li>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/ex-machina-2015\" target=\"_blank\">RogerEbert.com<\/a><\/li>\n<li><a href=\"http:\/\/www.newscientist.com\/article\/mg22530054.600-ex-machina-quest-to-create-an-ai-takes-no-prisoners.html#.VZqvHC0o-eU\" target=\"_blank\">New Scientist<\/a><\/li>\n<li><a href=\"http:\/\/www.empireonline.com\/movies\/ex-machina\/review\/\">Empire<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XYGzRB4Pnq8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Alex Garland, UK 2015, 108 mins, 15 &#8220;IT&#8217;S a rare thing to see a movie about science that takes no prisoners intellectually. (This film)&#8230;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2906,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2905"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=2905"}],"version-history":[{"count":5,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2905\/revisions"}],"predecessor-version":[{"id":3043,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2905\/revisions\/3043"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/2906"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=2905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}