{"id":2865,"date":"2015-08-18T15:26:33","date_gmt":"2015-08-18T14:26:33","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=2865"},"modified":"2016-02-07T08:18:16","modified_gmt":"2016-02-07T07:18:16","slug":"west","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/west\/","title":{"rendered":"West"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/09-west.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-2866\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/09-west-300x211.jpg\" alt=\"Still from West\" width=\"300\" height=\"211\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/09-west-300x211.jpg 300w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/09-west.jpg 680w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 06 November 2015: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/west\/\" target=\"_self\">West<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 06 November 2015, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Christian Schwochow, Germany 2014, 102 mins, 15<\/p>\n<blockquote>\n<div>&#8220;Intelligently scripted by Heide Schwochow (the director\u2019s mother) and resting on Triebel\u2019s finely nuanced performance, this offers a low-key counterpoint to Florian Henckel von Donnersmarck\u2019s Oscar-winning <em>The Lives of Others<\/em>, and is intriguing on personal and political levels.&#8221; Mark Kermode <i>The Observer<\/i><\/div>\n<\/blockquote>\n<p>A woman, whose boyfriend is mysteriously killed in an accident, flees East Berlin with her son in the late 70s. In a refugee transit camp in West Berlin they meet the same Kafkaesque bureaucracy as in the east. A tense drama about survival in a climate of paranoia and psychological oppression.<\/p>\n<blockquote>\n<div>&#8220;Schwochow&#8217;s intimate, handheld camerawork often feels like surveillance, which transforms mundane events into the menacing moments of a psychological thriller&#8221; <i>Village Voice<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.theguardian.com\/film\/2015\/jun\/14\/west-review-berlin-east-germany-christian-schwochow-julia-franck\" target=\"_blank\">The Guardian<\/a><\/li>\n<li><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/west-film-review-1970sset-drama-is-an-intriguing-study-of-family-love-and-treachery-10314483.html\" target=\"_blank\">The Independent<\/a><\/li>\n<li><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/west-film-review-1970sset-drama-is-an-intriguing-study-of-family-love-and-treachery-10314483.html\" target=\"_blank\">Empire Magazine<\/a><\/li>\n<li><a href=\"http:\/\/www.slantmagazine.com\/film\/review\/west\" target=\"_blank\">Slant Magazine<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/EGVvyzsqt5M?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Christian Schwochow, Germany 2014, 102 mins, 15 &#8220;Intelligently scripted by Heide Schwochow (the director\u2019s mother) and resting on Triebel\u2019s finely nuanced performance, this offers&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2866,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2865"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=2865"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2865\/revisions"}],"predecessor-version":[{"id":3000,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2865\/revisions\/3000"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=2865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}