{"id":2847,"date":"2015-08-17T06:39:23","date_gmt":"2015-08-17T05:39:23","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=2847"},"modified":"2023-07-14T17:38:29","modified_gmt":"2023-07-14T16:38:29","slug":"meeks-cutoff","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/meeks-cutoff\/","title":{"rendered":"Meek&#8217;s Cutoff"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/04-meeks-cutoff.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-2848\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/04-meeks-cutoff-300x216.jpg\" alt=\"Stll from Meek's Cutoff\" width=\"300\" height=\"216\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/04-meeks-cutoff-300x216.jpg 300w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/04-meeks-cutoff-1024x737.jpg 1024w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2015\/08\/04-meeks-cutoff.jpg 1748w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 09 October 2015: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/meeks-cutoff\/\" target=\"_self\">Meek&#039;s Cutoff<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 09 October 2015, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\rDirector: Kelly Reichardt, USA 2011, 104 mins, PG<\/p>\n<blockquote>\n<div>&#8220;This superbly made, austere film is Reichardt&#8217;s best yet &#8230;. and a powerful new addition to the western genre.&#8221; Peter Bradshaw <i>The Guardian<\/i><\/div>\n<\/blockquote>\n<p>In 1845, six settlers and their guide, Meek, set out across the desert on a two week journey. Five weeks later, low on supplies and effectively lost, they capture a Native American who, in return for his safety, agrees to lead them to water, thereby questioning Meek&#8217;s credibility.<\/p>\n<blockquote>\n<div>&#8220;Employing &#8230; stylistic restraint and (a) sense of inexorably mounting tension, Reichardt creates a mood which is at once entirely believable and entrancingly otherworldly.&#8221; Tom Huddleston <i> Time Out<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/meeks-cutoff-2011\" target=\"_blank\" rel=\"noopener\">Roger Ebert<\/a><\/li>\n<li><a href=\"http:\/\/www.theguardian.com\/film\/2011\/apr\/17\/meeks-cutoff-review\">The Observer<\/a><\/li>\n<li><a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/lists\/10-great-modern-westerns\">BFI 10 Great Modern Westerns<\/a><\/li>\n<li><a href=\"http:\/\/www.nytimes.com\/2011\/04\/08\/movies\/meeks-cutoff-directed-by-kelly-reichardt-review.html?_r=0\">New York Times<\/a><\/li>\n<li><a href=\"http:\/\/www.nashvillescene.com\/nashville\/kelly-reichardts-stunning-meeks-cutoff-strips-the-western-of-empty-gestures\/Content?oid=2450828\">Nashville Scene<\/a><\/li>\n<li><a href=\"http:\/\/www.npr.org\/2011\/04\/08\/135176537\/meeks-cutoff-an-old-west-captured-for-a-new-era\">NPR<\/a><\/li>\n<li><a href=\"http:\/\/www.slate.com\/articles\/arts\/movies\/2011\/04\/meeks_cutoff.html\">Slate<\/a><\/li>\n<li><a href=\"http:\/\/www.theguardian.com\/film\/2011\/apr\/09\/kelly-reichardt-meeks-cutoff\" target=\"_blank\" rel=\"noopener\">Interview with Kelly Reichardt<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5rhNrz2hX_o?rel=0\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Kelly Reichardt, USA 2011, 104 mins, PG &#8220;This superbly made, austere film is Reichardt&#8217;s best yet &#8230;. and a powerful new addition to the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2848,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2847"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=2847"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2847\/revisions"}],"predecessor-version":[{"id":4160,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2847\/revisions\/4160"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/2848"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=2847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}