{"id":2478,"date":"2014-06-19T22:03:02","date_gmt":"2014-06-19T21:03:02","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=2478"},"modified":"2015-02-07T07:49:44","modified_gmt":"2015-02-07T06:49:44","slug":"the-prophet","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/the-prophet\/","title":{"rendered":"The Prophet"},"content":{"rendered":"\n<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2014\/06\/21-TheProphet.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2014\/06\/21-TheProphet-470x260.jpg\" alt=\"Still from The Prophet\" width=\"470\" height=\"260\" class=\"aligncenter size-single-thumbnail wp-image-2481\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Sunday, 28 December 2014: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/the-prophet\/\" target=\"_self\">The Prophet<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Sunday, 28 December 2014, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Transition Forest Row<\/p>\r\n\r<\/p>\n<p>Director: Gary Tarn, UK 2014, 75 mins, Not Rated<\/p>\n<blockquote>\n<div>&quot;Beloved by generations of readers, scorned by the critics, Gibran\u2019s spiritually portentous language is beautifully read by  Thandie Newton while Tarn \u2013 assembling images from his travels \u2013  sometimes illustrates the prophet\u2019s journey, sometimes finds a  metaphorical representation of the text. Tarn demands a viewer alive  to both words and pictures, but marrying Gibran\u2019s inclusive,  dogma-free vision to the affection with which the camera views  everything from a London nude bicycling demo to Lebanese shoemakers at  work, he delivers a heady rush of affirmation. Tarn\u2019s expansive,  intimate, lovely film lets us share the connectedness of humanity, as  we see lovers, workers, families all over the world getting on with  the business of being alive.&quot;<br \/>\n               Trevor Johnson, <i>  Time Out<\/i><\/div>\n<\/blockquote>\n<p>Takes Kahlil Gibran\u2019s classic book and spins it into a cinematic exploration of love, life and loss. Shot in Serbia, Lebanon, New York, Milan and London and narrated by British actress Thandie Newton who delivers Gibran&#8217;s captivating prose with an intimate reading, woven into a score for orchestra, guitar, cello and synthesiser the result  is a beautifully evocative film.<\/p>\n<blockquote>\n<div>&quot;a  pleasure to watch. Tarn\u2019s own music is dovetailed with the words as he  travels between Lebanon, Serbia, New York, Milan and London, teasing  out images that underscore Gibran\u2019s text, in a visual essay that owes  something to Werner Herzog and Chris Marker.&quot; Derek Malcolm, <i>The Evening Standard<\/i><\/div>\n<\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href= \"http:\/\/www.theprophetfilm.com\/\" target = \"_blank\">Official film site<\/a><\/li>\n<li><a href= \"http:\/\/www-personal.umich.edu\/~jrcole\/gibran\/prophet\/prophet.htm\" target = \"_blank\">The Prophet  by Kahlil Gibran<\/a><\/li>\n<li><a href= \"http:\/\/www.ted.com\/talks\/thandie_newton_embracing_otherness_embracing_myself\" target = \"_blank\">Thandie Newton tells the story of finding her &#8220;otherness&#8221;<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" height=\"338\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\" src=\"https:\/\/www.youtube.com\/embed\/7yrKS5Rd4KY?rel=0\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Gary Tarn, UK 2014, 75 mins, Not Rated &quot;Beloved by generations of readers, scorned by the critics, Gibran\u2019s spiritually portentous language is beautifully read&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2481,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2478"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=2478"}],"version-history":[{"count":3,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2478\/revisions"}],"predecessor-version":[{"id":2703,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/2478\/revisions\/2703"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/2481"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=2478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}