{"id":1925,"date":"2013-07-10T06:51:33","date_gmt":"2013-07-10T05:51:33","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=1925"},"modified":"2016-02-07T08:16:23","modified_gmt":"2016-02-07T07:16:23","slug":"i-wish","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/i-wish\/","title":{"rendered":"I Wish"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/07\/33-I-wish-small.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1999\" alt=\"33-I-wish-small\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/07\/33-I-wish-small-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/07\/33-I-wish-small-300x199.jpg 300w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/07\/33-I-wish-small.jpg 470w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 28 March 2014: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/i-wish\/\" target=\"_self\">I Wish<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 28 March 2014, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<br \/>\nDirector: Hirokazu Kore-eda, Japan 2011, 127 mins, PG<\/p>\n<blockquote><p>\u201cIt\u2019s hard to remember a better film about pre-teen life than <em>I Wish<\/em>: every performance works, every character fits, every observation rings true. It\u2019s best summed up by its original Japanese title, <em>Kiseki<\/em>: \u2018miracle\u2019\u201d <em>Time Out<\/em><\/p><\/blockquote>\n<p>Twelve-year-old Koichi and his brother Ryunosuke have been separated by their parent\u2019s divorce and live far away from each other, each with one parent. Kiochi\u2019s only wish is to reunite his family. When he finds out that a brand new train line is to be built linking their two home towns he starts to believe that the first passing of the high-speed bullet trains will set reconciliation and reunification in motion, he embarks on a journey to witness the miracle.<\/p>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/i-wish-2012\">Roger Ebert<\/a><\/li>\n<li><a href=\"http:\/\/www.salon.com\/2012\/05\/11\/pick_of_the_week_childhood_adventure_from_a_japanese_master\/\">Salon<\/a><\/li>\n<li><a href=\"http:\/\/online.wsj.com\/article\/SB10001424052702304203604577395924206875372.html\">Wall Street Journal<\/a><\/li>\n<li><a href=\"http:\/\/www.eyeforfilm.co.uk\/review\/i-wish-2011-film-review-by-amber-wilkinson\">Eye for Film<\/a><\/li>\n<li><a href=\"http:\/\/www.guardian.co.uk\/film\/2013\/feb\/07\/i-wish-review\">Guardian<\/a><\/li>\n<li><a href=\"http:\/\/www.timeout.com\/london\/film\/i-wish\">Time Out<\/a><\/li>\n<li><a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/reviews-recommendations\/film-week-i-wish\">Sight and Sound<\/a><\/li>\n<li>Video essay: <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/features\/video-world-according-koreeda\">The world according to Koreeda<\/a><\/li>\n<li><a href=\"http:\/\/www.leftfieldcinema.com\/analysis-the-films-of-hirokazu-koreeda\">The films of Hirokazu Koreeda<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/05jKUWmgBQM?rel=0\" height=\"253\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Director: Hirokazu Kore-eda, Japan 2011, 127 mins, PG \u201cIt\u2019s hard to remember a better film about pre-teen life than I Wish: every performance works,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1999,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1925"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=1925"}],"version-history":[{"count":7,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1925\/revisions"}],"predecessor-version":[{"id":2335,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1925\/revisions\/2335"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/1999"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=1925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}