{"id":1850,"date":"2013-06-23T11:47:51","date_gmt":"2013-06-23T10:47:51","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=1850"},"modified":"2013-11-24T12:08:56","modified_gmt":"2013-11-24T11:08:56","slug":"before-midnight","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/before-midnight\/","title":{"rendered":"Before Midnight"},"content":{"rendered":"<div id=\"eventPage\"><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/06\/11-before-midnight-small.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-1956\" alt=\"11-before-midnight-small\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/06\/11-before-midnight-small.png\" width=\"470\" height=\"264\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/06\/11-before-midnight-small.png 470w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2013\/06\/11-before-midnight-small-300x168.png 300w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/><\/a><br \/>\n<!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 08 November 2013: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/before-midnight\/\" target=\"_self\">Before Midnight<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 08 November 2013, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>:  (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<br \/>\nDirector: Richard Linklater, USA 2013, 109 min, 15<\/p>\n<blockquote><p>\u201ca movie passionately committed to the ideal of imperfection that is itself very close to perfect\u201d <em>New York Times<\/em><\/p><\/blockquote>\n<p>Ethan Hawke and Julie Delpy are back after <em>Before Sunrise<\/em> (1995) and <em>Before Sunset<\/em> (2004). This time we witness the couple&#8217;s relationship into parenthood. During one sunny holiday in Greece they recapitulate their hopes and fears of the last few years.<\/p>\n<blockquote><p>&#8221; this perfectly played, gently incisive film is a welcome new chapter in one of cinema\u2019s most beguiling ongoing romances. See it with someone you\u2019ve loved for some time.&#8221; <em>Empire<\/em><\/p><\/blockquote>\n<h4>Further reading<\/h4>\n<ol>\n<li><a href=\"http:\/\/www.guardian.co.uk\/film\/2013\/jun\/20\/before-midnight-review\">The Guardian<\/a><\/li>\n<li><a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/reviews-recommendations\/film-week-before-midnight\">Sight &amp; Sound<\/a><\/li>\n<li><a href=\"http:\/\/www.rogerebert.com\/reviews\/before-midnight-2013\">Pablo Villa\u00e7a, rogerebert.com<\/a><\/li>\n<li><a href=\"http:\/\/www.empireonline.com\/reviews\/ReviewComplete.asp?FID=138165\">Empire<\/a><\/li>\n<li><a href=\"http:\/\/www.telegraph.co.uk\/culture\/film\/filmreviews\/10131307\/Before-Midnight-review.html\">The Telegraph<\/a><\/li>\n<li><a href=\"http:\/\/movies.nytimes.com\/2013\/05\/24\/movies\/before-midnight-with-julie-delpy-and-ethan-hawke.html\">New York Times<\/a><\/li>\n<li><a href=\"http:\/\/www.eyeforfilm.co.uk\/review\/before-midnight-2013-film-review-by-amber-wilkinson\">Eye for Film<\/a><\/li>\n<\/ol>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/euOJkb0U8vE?rel=0\" height=\"253\" width=\"450\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: Richard Linklater, USA 2013, 109 min, 15 \u201ca movie passionately committed to the ideal of imperfection that is itself very close to perfect\u201d New&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1956,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1850"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=1850"}],"version-history":[{"count":9,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1850\/revisions"}],"predecessor-version":[{"id":2195,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1850\/revisions\/2195"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/1956"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=1850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}