{"id":1316,"date":"2012-12-05T21:04:28","date_gmt":"2012-12-05T20:04:28","guid":{"rendered":"http:\/\/forestrowfilmsociety.org\/news\/?page_id=1316"},"modified":"2013-06-08T14:57:40","modified_gmt":"2013-06-08T13:57:40","slug":"love-szerelem","status":"publish","type":"page","link":"https:\/\/forestrowfilmsociety.org\/news\/films\/love-szerelem\/","title":{"rendered":"Love (Szerelem)"},"content":{"rendered":"<div id=\"eventPage\">\n<p><a href=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2012\/12\/love.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1317\" title=\"Love\" alt=\"Scene from Love\" src=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2012\/12\/love-300x224.jpg\" width=\"300\" height=\"224\" srcset=\"https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2012\/12\/love-300x224.jpg 300w, https:\/\/forestrowfilmsociety.org\/news\/wp-content\/uploads\/2012\/12\/love.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><!--<h2><\/h2>--><p class=\"archiveTitle\">Friday, 15 February 2013: <strong><a href=\"https:\/\/forestrowfilmsociety.org\/news\/films\/love-szerelem\/\" target=\"_self\">Love (Szerelem)<\/a><\/strong><\/p>\r\n<p class=\"timeDate\">Friday, 15 February 2013, 20:00<\/p>\r\n<p class=\"venue\"><strong>Venue<\/strong>: Forest Row Village Hall (see <a href=\"http:\/\/forestrowfilmsociety.org\/news\/location-and-tickets\/\">Locations and Tickets<\/a> for further details)<\/p>\r\n<p class=\"strand\"><strong>Programme category<\/strong>: Forest Row Film Society<\/p>\r\n\r<\/p>\n<p>Director: K\u00e1roly Makk, Hungary 1971, 88 mins, PGA young woman whose husband has been arrested by the secret police under the Hungarian tyrant M\u00e1ty\u00e1s R\u00e1kosi in the 1950s, tells her sick mother in law the fantastic tale that her son Janos is pursuing a career as a Hollywood. A visual gem!<\/p>\n<blockquote><p>&#8220;Makk&#8217;s moving and insightful but entirely unsentimental film focuses on the way personal relationships endure under such oppressive regimes&#8230;. The central characters are brilliantly acted &#8230; it is beautifully shot in sharp black and white by Janos Toth, and Makk experiments effectively with rapid, fleeting cuts to convey the characters&#8217; individual perspectives&#8221;\u00a0 <em>Sight and Sound <\/em><\/p><\/blockquote>\n<blockquote><p>&#8220;a brilliantly powerful film that both captures the sense of dread that comes from living under a totalitarian regime; and expresses the feelings and plight of his characters in a perfectly poetic way&#8221; <em>Bonjour Tristesse<\/em><\/p><\/blockquote>\n<h4>Further Reading<\/h4>\n<ul>\n<li><a href=\"http:\/\/www.timeout.com\/film\/reviews\/80754\/love.html\">Time Out<\/a><\/li>\n<li><a href=\"http:\/\/film.guardian.co.uk\/Century_Of_Films\/Story\/0,,365656,00.html\">The Guardian<\/a><\/li>\n<li><a href=\"http:\/\/www.variety.com\/review\/VE1117795415?refcatid=31\">Variety<\/a><\/li>\n<li><a href=\"http:\/\/www.notcoming.com\/reviews\/love\/\">Not Coming to a Theater Near You<\/a><\/li>\n<li><a href=\"http:\/\/thirtyframesasecond.blogspot.co.uk\/2007\/06\/szerelem-hungary-1971-karoly-makk.html\">thirtyframesasecond<\/a><\/li>\n<li><a href=\"http:\/\/www.bonjourtristesse.net\/2011\/07\/love-1971.html\">Bonjour Tristesse<\/a><\/li>\n<\/ul>\n<h4>Trailer<\/h4>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/rTlclGZNF1g?rel=0\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director: K\u00e1roly Makk, Hungary 1971, 88 mins, PGA young woman whose husband has been arrested by the secret police under the Hungarian tyrant M\u00e1ty\u00e1s R\u00e1kosi&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1317,"parent":703,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1316"}],"collection":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/comments?post=1316"}],"version-history":[{"count":8,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1316\/revisions"}],"predecessor-version":[{"id":1820,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/1316\/revisions\/1820"}],"up":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/pages\/703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media\/1317"}],"wp:attachment":[{"href":"https:\/\/forestrowfilmsociety.org\/news\/wp-json\/wp\/v2\/media?parent=1316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}