<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Cherry Blossoms tonight in the snow</title>
	<atom:link href="http://forestrowfilmsociety.org/news/2010/01/cherry-blossoms-tonight-in-the-snow/feed/" rel="self" type="application/rss+xml" />
	<link>http://forestrowfilmsociety.org/news/2010/01/cherry-blossoms-tonight-in-the-snow/</link>
	<description></description>
	<lastBuildDate>Thu, 26 Jan 2012 17:42:04 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0</generator>
	<item>
		<title>By: Brad Scott</title>
		<link>http://forestrowfilmsociety.org/news/2010/01/cherry-blossoms-tonight-in-the-snow/comment-page-1/#comment-709</link>
		<dc:creator>Brad Scott</dc:creator>
		<pubDate>Sat, 09 Jan 2010 16:58:27 +0000</pubDate>
		<guid isPermaLink="false">http://forestrowfilmsociety.org/news/?p=345#comment-709</guid>
		<description>We had a huge crowd last night who braved the snow and enjoyed a really lovely evening. Several of us saw &lt;i&gt;Cherry Blossoms&lt;/i&gt; in preview at the ICO screening weekend last year, and we all agreed that it was perfect for the film society. It&#039;s nice to know that our judgement is right! I lost count of the number of extremely positive comments we received at the end; I think it was certainly the strongest reaction to any film we&#039;ve screened. If you want to add anything to this blog item, please do. We hired it through the Block Booking Scheme of the &lt;a href=&quot;http://www.bffs.org.uk/&quot; rel=&quot;nofollow&quot;&gt;British Federation of Film Societies&lt;/a&gt;.

For those of you who missed the film, it is available from the &lt;a&gt;Dogwoof store&lt;/a&gt; on Amazon. I&#039;d certainly recommed it. It doesn&#039;t seem to be available from Lovefilm.

Born in 1955 in Hanover, a large part of Doris Dörrie&#039;s education was in the USA, and also included the film school in Munich. Her first feature came out in 1983, but it was with the warm comedy &lt;i&gt;&lt;a href=&quot;http://www.nytimes.com/1986/07/30/movies/the-screen-doris-dorrie-s-men.html&quot; title=&quot;Review of Men... from the New York Times&quot; rel=&quot;nofollow&quot;&gt;Men...&lt;/a&gt;&lt;/i&gt; two years later that she achieved her first major success with over six million admissions worldwide.

&lt;i&gt;Cherry Blossoms&lt;/i&gt; emerged while conducting research on Ozu&#039;s great masterpiece &lt;i&gt;Tokyo Story&lt;/i&gt;, and is a remarkable piece of work on the subject of bereavement, families and transience. We&#039;ve never shown any Ozu, so maybe with the retrospective currently on at the BFI we should seriously look at doing so next season. There&#039;s a good &lt;a href=&quot;http://www.guardian.co.uk/film/2010/jan/09/yasujiro-ozu-ian-buruma&quot; rel=&quot;nofollow&quot;&gt;piece by Ian Buruma&lt;/a&gt; on Ozu in today&#039;s &lt;i&gt;Guardian&lt;/i&gt;.

The film she made before &lt;i&gt;Cherry Blossoms&lt;/i&gt;, &lt;i&gt;How to Cook Your Life&lt;/i&gt; is a documentary about the Zen chef, Ed Brown, and is also available from &lt;a href=&quot;http://www.dogwoof.com/&quot; rel=&quot;nofollow&quot;&gt;Dogwoof&lt;/a&gt;. It looks rather fun.

&lt;div style=&quot;text-align:center; padding:7px;&quot;&gt;
&lt;object width=&quot;320&quot; height=&quot;265&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/cJwTG2cEMBQ&amp;hl=en_GB&amp;fs=1amp;&amp;rel=0&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/cJwTG2cEMBQ&amp;hl=en_GB&amp;fs=1&amp;rel=0&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;320&quot; height=&quot;265&quot;&gt;&lt;/embed&gt;&lt;/object&gt;
&lt;/div&gt;


&lt;strong&gt;Read More&lt;/strong&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;a href=&quot;http://web.uvic.ca/geru/439/doerrie.html&quot; rel=&quot;nofollow&quot;&gt;Article on Doris Dörrie from University of Victoria, Canada&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;David Noh. &quot;Cherry Blossom Time: Germany’s Doris Dörrie ventures to Japan for drama of aging and rebirth.&quot; &lt;a href=&quot;http://www.filmjournal.com/filmjournal/content_display/news-and-features/features/movies/e3ic8de2356a5754927491aefe2b76a8f1a&quot; rel=&quot;nofollow&quot;&gt;Film Journal International&lt;/a&gt;. 30 December 2008.&lt;/li&gt;
	&lt;li&gt;Birgit Rühe. &quot;Doris Dörrie.&quot; &lt;a href=&quot;http://www.fembio.org/english/biography.php/woman/biography/doris-doerrie&quot; rel=&quot;nofollow&quot;&gt;FemBio&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;Karin Luisa Badt. &quot;From a Line of Ancestors: Talking with Doris Dörrie and Natasha Arthy.&quot; &lt;a href=&quot;http://www.brightlightsfilm.com/60/60dorriearthyriv.html&quot; rel=&quot;nofollow&quot;&gt;Bright Lights Film Journal&lt;/a&gt; May 2008&lt;/li&gt;
&lt;/ul&gt;


</description>
		<content:encoded><![CDATA[<p>We had a huge crowd last night who braved the snow and enjoyed a really lovely evening. Several of us saw <i>Cherry Blossoms</i> in preview at the ICO screening weekend last year, and we all agreed that it was perfect for the film society. It&#8217;s nice to know that our judgement is right! I lost count of the number of extremely positive comments we received at the end; I think it was certainly the strongest reaction to any film we&#8217;ve screened. If you want to add anything to this blog item, please do. We hired it through the Block Booking Scheme of the <a href="http://www.bffs.org.uk/" rel="nofollow">British Federation of Film Societies</a>.</p>
<p>For those of you who missed the film, it is available from the <a>Dogwoof store</a> on Amazon. I&#8217;d certainly recommed it. It doesn&#8217;t seem to be available from Lovefilm.</p>
<p>Born in 1955 in Hanover, a large part of Doris Dörrie&#8217;s education was in the USA, and also included the film school in Munich. Her first feature came out in 1983, but it was with the warm comedy <i><a href="http://www.nytimes.com/1986/07/30/movies/the-screen-doris-dorrie-s-men.html" title="Review of Men... from the New York Times" rel="nofollow">Men&#8230;</a></i> two years later that she achieved her first major success with over six million admissions worldwide.</p>
<p><i>Cherry Blossoms</i> emerged while conducting research on Ozu&#8217;s great masterpiece <i>Tokyo Story</i>, and is a remarkable piece of work on the subject of bereavement, families and transience. We&#8217;ve never shown any Ozu, so maybe with the retrospective currently on at the BFI we should seriously look at doing so next season. There&#8217;s a good <a href="http://www.guardian.co.uk/film/2010/jan/09/yasujiro-ozu-ian-buruma" rel="nofollow">piece by Ian Buruma</a> on Ozu in today&#8217;s <i>Guardian</i>.</p>
<p>The film she made before <i>Cherry Blossoms</i>, <i>How to Cook Your Life</i> is a documentary about the Zen chef, Ed Brown, and is also available from <a href="http://www.dogwoof.com/" rel="nofollow">Dogwoof</a>. It looks rather fun.</p>
<div style="text-align:center; padding:7px;">
<object width="320" height="265"><param name="movie" value="http://www.youtube.com/v/cJwTG2cEMBQ&amp;hl=en_GB&amp;fs=1amp;&#038;rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/cJwTG2cEMBQ&amp;hl=en_GB&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="320" height="265"></embed></object>
</div>
<p><strong>Read More</strong></p>
<ul>
<li><a href="http://web.uvic.ca/geru/439/doerrie.html" rel="nofollow">Article on Doris Dörrie from University of Victoria, Canada</a></li>
<li>David Noh. &#8220;Cherry Blossom Time: Germany’s Doris Dörrie ventures to Japan for drama of aging and rebirth.&#8221; <a href="http://www.filmjournal.com/filmjournal/content_display/news-and-features/features/movies/e3ic8de2356a5754927491aefe2b76a8f1a" rel="nofollow">Film Journal International</a>. 30 December 2008.</li>
<li>Birgit Rühe. &#8220;Doris Dörrie.&#8221; <a href="http://www.fembio.org/english/biography.php/woman/biography/doris-doerrie" rel="nofollow">FemBio</a></li>
<li>Karin Luisa Badt. &#8220;From a Line of Ancestors: Talking with Doris Dörrie and Natasha Arthy.&#8221; <a href="http://www.brightlightsfilm.com/60/60dorriearthyriv.html" rel="nofollow">Bright Lights Film Journal</a> May 2008</li>
</ul>
]]></content:encoded>
	</item>
</channel>
</rss>

